Poetry's Different Faces
5 films
Over the past century, modern poetry has redefined the meaning of "poetic" time and again. Similarly, poetic cinema—originally pioneered by directors like Andrei Tarkovsky—has gone through countless divergences, clashes, and disruptions.
Today, to label a film simply as “poetic” can feel almost reductive.
Cinema’s engagement with poetry has long since moved beyond imitation; it has entered a stage where it redefines poetry itself—pointing to unexpected forms and aesthetics, even suggesting new directions for literature to break through its own limits.
The five films I’ve selected reflect these expanded poetic sensibilities:
Iron Moon — a raw yet tender documentary on labor rights and worker-poets in China
The Cordillera of Dreams — a reflection on Chile’s shadowed history
Manfei — an off-centered biographical portrait of a pioneering dancer
The Man with the Camera — an experimental film on novelist Liu Na’ou
Nomad: In the Footsteps of Bruce Chatwin — a return to the spirit of romanticism through Werner Herzog’s lens.
These works may offer us a way to reexamine the world—not only as filmmakers or viewers, but with the vision of poets.
Curator
廖偉棠，香港詩人、作家、攝影家，現居台灣。曾出版詩集《八尺雪意》、《半簿鬼語》、《春盞》、《櫻桃與金剛》、《一切閃耀都不會熄滅》等十餘種，講演集《玫瑰是沒有理由的開放：走近現代詩的四十條小徑》，評論集「異托邦指南」系列等。
