The Girl with the Needle
Dying
Holy Spider
The Father
Titane
EO
Tuesday
The “Kaohsiung Shorts” Film Program is an annual initiative that selects emerging creators through an open call, encouraging diverse themes and creative expressions in short film production. To date, the program has supported over 100 works. In 2024, 6 short films present a rich diversity of perspectives and cinematic styles, showcasing a range of themes from familial conflict and reconciliation to loneliness and interpersonal entanglements.
Perhaps it’s because I grew up in a crowded, complex city that I’ve always been drawn to films set in urban landscapes. The dense weave of skyscrapers and winding streets has a certain allure, holding countless souls and stories within. I like to quietly observe these passing lives—moments of movement, waiting, and everyday fragments. It’s not just about seeing the world, but about finding, within these intersecting paths, a version of myself I once knew.
A Long Ride
In Memory of The Chinatown
Monsoon Blue
Big Day
Before the Box Gets Emptied
“As the saying goes, in martial arts, speed is everything.” To me, short animation is more than a space for experimentation and self-training—it’s where ideas are rapidly tested within limited duration, using refined visuals and sound to cut straight to the essence of storytelling. One night, I watched several shorts in a row—dreamlike and surreal, blending the absurd with realism, tenderness, and wit. Though brief and diverse in style, they leave a lasting emotional and intellectual resonance. They convinced me that short animation is a contemporary craft of speed, precision, and impact—striking straight to the core.
Bloody Dairy
Night Bus
Minus Plus Multiply
