The Art of Lesbian Visibility

Taiwan became the first place in Asia to legalize same-sex marriage, and LGBTQ+ identities seem to have become increasingly visible in everyday life. Yet when we turn to Taiwan's mainstream media and cinema, where are the stories of lesbian women? On this island, do the loves left unspoken, the relationships that defy definition, and the intimacies that blur the lines between friendship and romance still remain outside the frame? And when lesbian women do appear on screen, how often are their stories truly told from their own perspectives? Through a selection of Taiwanese films, we summon those who have always been here, yet have rarely been seen. “I summon you by this name. Reveal yourself.”

The Birth of a Cinematic Language

Before they became masters, they all had a first film. And in those early works, the seeds of their signature styles were often already there. Satoshi Kon’s Perfect Blue plunges the relationship between idols and fans into a psychological labyrinth where reality and illusion blur, influencing countless filmmakers who followed. Christopher Nolan’s Following, which he wrote, directed, edited, and shot himself, already hints at the narrative sensibilities that would later shape Memento and Inception. Sofia Coppola’s The Virgin Suicides wraps the mystery surrounding five sisters in a dreamlike haze, laying the groundwork for her distinctive style. Meanwhile, Take Out, co-directed by Sean Baker and Shih-Ching Tsou, captures the realities beneath the American Dream of Chinese immigrant delivery workers. Ryusuke Hamaguchi’s graduation film from Tokyo University of the Arts, Passion, already reveals the tension and depth of dialogue that he would continue to explore in Wheel of Fortune and Fantasy and Drive My Car.

Kaohsiung Film Festival Retrospective

#KaohsiungFilmFestival returns on October 9! Before this year’s festival kicks off, revisit some of the standout films from recent editions and get into festival mode from home. As Taiwan’s largest international short film festival, the Kaohsiung Film Festival has long provided a platform for emerging filmmakers to be discovered, while turning the port city into an annual autumn gathering for film lovers. We’ve selected seven films from the festival’s 2022–2024 lineups, led by the newly added Cat and Chicken. From Meinong and Kaohsiung to Malaysia, and from festival regulars to rising filmmakers, this selection brings together some of the most memorable works from recent editions of KFF.