Much Ado About Nothing

6 films

“How did writing a novel become such a deadly thing?” — Terrorizers

They say there's nothing new under the sun. But once we step into the world of fiction, all the fuss, the unnecessary drama, the meaningless conflict—suddenly becomes the very engine that makes a story move.

The meaning of “realism” is turned on its head. Imagination begins to feel more reasonable than reality.

Only then can we fully immerse ourselves in each film’s unique narrative world—
in the internal logic of its imagery, in the madness that somehow feels perfectly ordered.

Because in fiction, as in dreams: Whatever happens, makes sense.