'Fresh Kill,' Shu Lea Cheangi's debut feature film, written by acclaimed Filipino-American writer Jessica Hagedorn, uses a science fiction setting to expose the interconnectedness of global environmental crisis and racist worldviews.
Like the scenery from a running train, memories are beautiful, blurry and keep changing. A daughter expresses the feelings of losing her father by mixing video footage and analog film with animation techniques.
Inside the train from Wengen to Lauterbrunnen, the snow-covered landscape and the darkness of the tunnel, three windows offer serene yet ever-changing impressions.
It's a film that combines live action, hand-drawn animation, and stop motion to explore the confusion of existence. His lover was waiting for him. Before he left, he was wrapped in a smell, he began to question his moves, he hesitated over whether this was futile.
The 14-minute experimental fashion short film HÓNG uses nine sets of costumes and seven constructed scenes to review the development and evolution of feminism in post -1949 China, blurring the cultural and political experiences of three generations of women into one abstract character.
“The Night Mist at the Harbor” draws on same-sex murder cases in colonial and contemporary Kaohsiung, weaving Taiwan’s double-edged historical symbols into a new visual narrative, accompanied by a Taiwanese-language cover of the Japanese song to embody a self-as-other historical assemblage.
Through a childhood recording, a grandmother's story, and a family video, I try to find out why the fig tree in my hometown disappeared, questioning the source of human memory, and forgetting…
After the Flood fictionalized people continued their mundane lives after a great catastrophe, with all the memory, recognition, reconstruction, and oblivion.
Could a memory still exist if there is no one capable of remembering it? Starting from a mysterious set of Polaroids, the film traces the earliest memories of life.
