Pacing Back and Forth at the Real Scene
Sometimes, you’re drawn back to the scene by an unseen force—treading carefully, almost fearfully.
The crime scenes where bloodstains have long been washed away, the streets where fervent slogans have faded, and the lives forever frozen in a single moment of history—all compel creators to pick up the pen, to lift the camera, and to tell their stories in countless ways.
Rooted in reality, the act of creation becomes a delicate balance. Is it a faithful record, an excavation of truth? A transformation of reality? Or a search for meaning in the present?
Imagination may run wild, but what is the thread that keeps pulling him back—again and again—to the real?
Curator
陳梓桓
成長於香港，現居台北。作品關注個人記憶、身份斷裂，以及紀錄與虛構之間的敘事邊界。作品包括以個人視角捕捉香港雨傘運動的《亂世備忘》（2016），融合紀錄素材與記憶重構，追溯香港歷史的幽影的《憂鬱之島》（2022）。
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