Let the Wind Carry Me
Gold Fish
And Miles to Go Before I Sleep
Spring: The Story of Hsu Chin-Yu
Night Bus
Grandma and Her Ghosts (Digital Restoration)
Taste of Wild Tomato
The Edge of Night
Monsoon Blue
Layover
March: The Southern South
Master Sheng Yen
Love Letters
The Egret River
Who’ll Stop the Rain
Su Beng, the Revolutionist
Before Dawn
MAMU
The Right Thing (remastered version)
When The Dawn Comes
Triptych
Grandma and Her Ghosts (Digital Restoration)
Monsoon Blue
Gold Fish
Night Bus
The Egret River
Bloody Dairy
Let the Wind Carry Me
In Character
The Shepherds
The Chinese Mayor
Time Splits in the River
Miracle
Small Oyster Rock in Kezailiao
In Memory of The Chinatown
Rui-Ming Band
KJ: Music and Life
Flight of the Red Balloon
Let the Wind Carry Me
In Character
The Chinese Mayor
Wild Tides
Master Sheng Yen
Chen Uen
Small Oyster Rock in Kezailiao
The Hostess
The Walkers
Su Beng, the Revolutionist
The Edge of Night
The Rocking Sky
Spring: The Story of Hsu Chin-Yu
The Shepherds
Do Not Go Gentle in Taipei
In Memory of The Chinatown
The Edge of Night
March: The Southern South
Noname Square
Taste of Wild Tomato
Spring: The Story of Hsu Chin-Yu
Who’ll Stop the Rain
The Right Thing (remastered version)
Su Beng, the Revolutionist
Love Letters
The Diary in front of The President’s Office
For women, to live as full human beings in this world has never been easy. In these stories, women are placed within multiple roles: daughters-in-law, mothers, job seekers, and migrant brides within transnational contexts. Between bodily experience, childbirth, and the question of staying or leaving, they struggle between trauma recovery and life choices, while also being seen and expected within structures of power. They are expected to embody contradictory ideals: to be both desirable bodies and symbols of purity; to conform to norms while pursuing ideals. Within structures shaped by violence, sexual harassment, and entrenched misogyny, they continue to resist within bodies that are constantly constrained, seeking possibilities of freedom and rebirth. Their lives unfold like flowers in bloom. The Blood of a Hen and The River of White Porcelain may respond, through image, to the complexity of these predicaments, and open up alternative ways of seeing and understanding women’s experiences.
Each of us follows a line of our own—a trace of time, slowly shaped by the moments that make up a life. As that line stretches forward and meets another, crossing and intertwining, a story quietly begins. Some move swiftly, some slowly; some linger in the stillness of everyday life, while others find themselves caught in another's path. These dialogue-free animated shorts use minimalist lines and color to capture the subtle movements of life. When words fall silent, lines begin to speak. May these brief moments invite you to pause, step into these stories, and perhaps discover where your own line meets another.
Sometimes, you’re drawn back to the scene by an unseen force—treading carefully, almost fearfully. The crime scenes where bloodstains have long been washed away, the streets where fervent slogans have faded, and the lives forever frozen in a single moment of history—all compel creators to pick up the pen, to lift the camera, and to tell their stories in countless ways. Rooted in reality, the act of creation becomes a delicate balance. Is it a faithful record, an excavation of truth? A transformation of reality? Or a search for meaning in the present? Imagination may run wild, but what is the thread that keeps pulling him back—again and again—to the real?
March: The Southern South
Noname Square
Taste of Wild Tomato
Nine Shots
