Caged Dog
Monsoon Blue
Let the Wind Carry Me
The Edge of Night
Nothingwood
On Christmas Eve in Tokyo, can three homeless people help an abandoned baby find its way home? In a desolate and mysterious world, where will a girl guarding an egg and a boy searching for the “dream of a bird” ultimately go? Against the backdrop of contemporary Tokyo, how do humanity and monstrosity coexist in a city steeped in sin? Giloo brings together works by Japanese animation masters Mamoru Oshii, Satoshi Kon, Masaaki Yuasa, and Yoshiaki Kawajiri, inviting you into the worlds they have created, suspended between reality and illusion.
Tokyo Godfathers
The late Japanese animation giant Satoshi Kon is hailed by later generations as the “Dream-Weaving Magician.”
Perfect Blue
Satoshi Kon's first animated feature film. When you can't believe in yourself, will the existence of "my" be wiped out?
Angel's Egg
Mamoru Oshii's first original work, it was released as an OVA and simultaneously had a limited theatrical release.
Wicked City
Coquettish and bold, erotic decoding! Taking real-life Tokyo as the stage, it depicts the human nature and demonic nature in the sinful city.
Paranoia Agent: PART 1
"Blue Terror" and "Inception" are the only TV animations produced by Japanese animation master Satoshi Kon.
Paranoia Agent: PART 2
Kon Minjin’s brain-burning finale! A young bat is arrested, but the case takes a surprising turn. Who can uncover the monsters spawned by this era?
In celebration of Pride Month, Giloo will present a series of queer films this June. This year, our theme is “(Un)happy Pride Month.” It reflects the idea that “pride” was never achieved overnight, but carved out through generations of resistance—by those who came before us, who endured repression and pain, and left behind traces of struggle in the darkness with their bodies, blood, and tears. And “queer,” as an identity that refuses to be defined by traditional labels, has never had just one form. Queer people can be joyful, but also angry, confused, and sorrowful; they can be brave, but also vulnerable.
The End of the Track
Xiao Tong and Yong Sheng spend their days playing together, inseparable. But Yong Sheng's sudden death during track practice leaves Xiao Tong grief-stricken and full of self-blame. Misunderstandings from both families and the loneliness of losing his best friend force him into darkness.
The Shepherds
The Shepherds
台灣首間同志教會
Does God love the world any differently? This group of pastors is not afraid of the huge opposition from traditional denominations and is determined to speak out for comrades!
When The Dawn Comes
As the U.S. government releases its UFO files—humankind, are you ready?
At The Bench
At The Bench
廣瀨鈴ｘ仲野太賀ｘ神木隆之介主演
A story that takes place on a bench by the riverside in Tokyo, made up of five short stories of about 15 minutes each.
Life Of Mariko In Kabukicho
Life Of Mariko In Kabukicho
內田英治 x 片山慎三 聯手執導
Mariko, a bartender who dreams of becoming Japan's most powerful private detective, receives a mysterious commission from the FBI!
I Went to an Alien Planet
The documentary "I Went to Another Planet" follows Mr. Zhang Xiangqian, who claims to have been abducted by aliens in 1985 and lived on another planet for a month.
Is this a cruel twist of fate, or greed’s desire at work? Welcome to Joe Hsieh’s wide-eyed gaze into humanity’s greed, delusion, and rage.
Praying Mantis (International Version)
Joe Hsieh's hand-drawn style depicts how the praying mantis woman hunts male prey in the dark night, where danger is imminent...
Praying Mantis (Director's Cut)
Joe Hsieh, with a hand-drawn style, intricately illustrates how the mantis woman hunts male prey in the dark night, where dangers are on the verge of breaking out⋯⋯
The Garden of Delights
The male and female protagonists are like the physical embodiments of Adam and Eve, and the film becomes a chronicle of love, life, and death.
The Present
A tribute to Japanese animation master Kihachiro Kawamoto, director Joe Hsieh's gripping animated film tells a woman's journey of revenge, winning Best Animated Short at the Taipei Film Festival.
