A reader once asked us, "So, what makes a good character interview in your opinion?"Our answer lies within this film selection.
睽違 22 年，曾以族語創作拿下金曲獎的布農歌手王宏恩再次發行族語創作專輯，在《一起我們 Muskun kata》這張作品中，他改編了許多布農古調詩歌，還特地前往崁頂部落拜訪長老，向他們請益古調詩歌的唱法、合聲和改編，並以同名紀錄片記下這段歷程。Giloo紀實影音邀請王宏恩在全新節目「Giloo Podcast」獻聲，與我們分享拍攝《一起我們 Muskun kata》過程中的趣事點滴，回顧出道以來的創作心路。
What would Taipei in 2026 look like if we were looking back from the year 2146? The third edition of the **City Run-Ku Cultural Games** begins with this imagined future perspective. On Saturday, October 10, the journey will follow another stretch of the Tamsui River. Starting from Guandu Wharf, participants will travel by boat, take on interactive challenges, and move along the riverfront toward Bali. Under the theme **“Bridging an Island of the Future,”** this year’s program features five interactive art checkpoints, four workshops, and one open-air riverside cinema, while connecting with two arts spaces along the Bali waterfront, **Kong Chang** and **STUPIN**. Building on last year’s route, **“Cultural Gateway to the Sea,”** this year’s edition extends the journey even farther, transforming both banks of the Tamsui River into a cultural route to be explored by boat, through play, movement, and a renewed encounter with the city.
第六十屆金馬獎圓滿落幕，本屆最佳紀錄片入圍者囊括諸多大師級導演，競爭分外激烈，最終由中國獨立電影導演王兵的《青春（春）》拿下大獎！Giloo 邀請到王兵導演從巴黎與我們跨海連線，聊聊拍攝青春三部曲、《黑衣人》等片的創作歷程，以及他眼中的電影和人生美學。
In an age of endless watching, how do we deal with distraction overload? Too exhausted after work? These films are short enough not to test your patience. Some are early works by acclaimed directors; all are sharp, rich, and full of surprises. Fine, I admit it—I also put them here simply because I love them. They’ll leave you wanting to hit replay. You may need to be jolted by them one more time before you’re ready to move on.
The artistic expressions that emerged in different ages are utterly distinct. This holds true whether one seeks out the historical vestiges through their context, or simply probes the most fundamental family values, finally arriving at the liberation of personal desires. I yearn for the old cartoons from my childhood TV, the 'sausage uncles' calling out on the streets, and the earthy yet vital art forms unique to Taiwan. But as contemporary society incessantly chases capitalism, art devoid of life grows upon rootless ground. Confronting such a directionless society, the most effective resistance remains the act of watching – discovering those who still retain their soul amidst the vast ocean of streaming, and cherishing them in the depths of our own memories.