視幻文化

We Were the Scenery is a short documentary film based on the real life experiences of writer Cathy Linh Che’s parents, two Vietnam War refugees, who, in 1976, while stateless in a refugee camp in the Philippines, were utilized as background extras during the filming of Apocalypse Now.

A feminist introspection of male psyche, deconstructing modern love and a generation's arrogance.

Expired

An absurd world in two little insects’ eyes.

一名中國技能實習生遭遇日本勞動組合的欺詐，忍無可忍之下，他選擇訴諸暴力……

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Degenerate sons and daughters, if life is too strong for you, it takes life to love life.

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The invisible barrier that blocks the emotions between father and daughter is the very thing that leads these two lonely individuals down the path of loss.

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After receiving a call from her late fiance, an unknown force starts to disturb Xiaoxue's normal life.

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It narrates the story of a boy, Yu, who wants a pair of skates in winter in a small city of northeast China.

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三代女性的對話

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向侯麥溫柔的致敬

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繼《大酒樓》和《黃老老拍案》後，邱炯炯再次將鏡頭聚焦自己的親人

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十二大國際電影節品質認可；忘不了，終相見

邱炯炯紀錄家族影像

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大酒樓的微醺傳奇

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劇團的大門就是時光隧道的入口，遊戲開始了。我端着機子信步其間，捕風又捉影……那個謝幕多年的小丑是不是返場了？我在鏡頭後反覆確認着。

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大時代蹂躪的小人物悲劇，近代中國政局跌宕的活化石

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She is a legend on stage, half diva, half tailor, weaving a symphony of desire and despair.

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Decaying bodies reveal old cases

盧卡諾影展評審團特別獎

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A landscape of 20th-century China’s tumultuous history

Giloo 獨家上架

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Photographer and poet: Ren Hang, he simply "does whatever he wants" but encounters obstacles everywhere. He was optimistic and depressed at the same time, and finally decided to jump off as the final choice to resist the prison of the world...