Since the early 21st century, the Taishin Arts Award has actively engaged in dialogue with the global trend of "expanded cinema." Today, the time and form in which "cinema" occurs continues to diversify. As part of the NEXT—20th Anniversary Exhibition of the Taishin Arts Award, the “Special Effects Screening Room” explores this multiplicity through video art, multimedia performances, VR films, and even AI-generated scripts. In line with this expanded vision, we have curated a special online program in collaboration with Giloo Documentary Platform. Here, "viewing" becomes a ritual of witnessing. This extended screening includes Huang Ming-chuan’s Myth Trilogy, Tsai Ming-liang’s Stray Dogs, Hsu Che-Yu’s Manufactured Landscape and Replica, Su Yu-Hsien’s The Chairs, Yuan Goang-Ming’s 1990s Golden Harvest Award-winning About the Way Back Home, Wang Jun-Jie’s Sin City 00:00:00:00 (never officially released in cinematic format), and this year’s Taishin Grand Prize winner Lee I-Fan’s Excuse Me… How Do You Open This? Through this intimate mode of online viewing—more private than a gallery or cinema—we invite you to become a new kind of "future audience."
Author台新銀行文化藝術基金會致力提升台灣當代藝術的創作能量、社會認同度及國際競爭力。善盡企業社會責任，支持表現卓越的當代藝術，以展現台灣的文化活力。
Taiwan has long since become the first country in Asia to legalize same-sex marriage, and LGBTQ+ lives seem to be increasingly woven into everyday life. Yet, when we turn our gaze to Asia’s mainstream media and cinema, where are the stories of lesbian women? The love left unspoken, the relationships that defy definition, and the intimacies that blur the line between friendship and romance—are they still hidden beyond the frame? And when lesbian women do appear on screen, how often are their stories truly told from their own perspectives? This time, through a collection of films, we summon those who have always been there, yet have rarely been seen. “I summon you by this name. Reveal yourself.”
The Taiwan Film Festival of Boston is dedicated to showcasing Taiwan’s diverse cultures and social landscapes through cinema while fostering meaningful exchange between Taiwanese filmmakers and North American audiences. Since 2011, the New Taipei City Documentary Film Award has supported documentary filmmaking and encouraged creators to engage with their times, capturing lived experiences and social realities through the moving image. Together, the two organizations present this virtual film festival, featuring outstanding works from past editions of the Taiwan Film Festival of Boston and the New Taipei City Documentary Film Award. By bringing Taiwanese stories of ecology, culture, identity, and coming of age beyond geographical boundaries, this collaboration invites audiences around the world to discover Taiwan through the lens of documentary filmmaking and engage in cross-cultural dialogue. Through the power of documentary cinema, the festival seeks to foster greater cross-cultural understanding, celebrate the creativity and vitality of Taiwan’s documentary tradition, and strengthen connections between New Taipei City, Taiwanese filmmakers, and international film communities. New Taipei City Documentary Award Section Title | Habitats of Life Envisioning a Sustainable Future Where People and the Environment Thrive Together From oceans and forests to where Indigenous communities and cities meet, life seeks ways to survive, grow, and belong. Where the Bees Belong, Hearing from the Dolphin, The Elimination, A Tayal, and Childhood In Between explore ecological conservation, wildlife conditions, cultural heritage, and identity, revealing complex relationships between people, nature, and society. As habitats shift and generations change, each story shows how life responds to environmental and social challenges while seeking new possibilities for coexistence. Echoing the United Nations Sustainable Development Goals (SDGs), this program invites audiences to reconsider habitat not only as a physical place, but also as an ecological, cultural, and emotional home—and to imagine a more diverse, inclusive, and sustainable future. The online screenings held in collaboration with the New Taipei City Documentary Film Awards concluded successfully on October 11. Some films have been taken offline as scheduled. We invite you to continue enjoying the other outstanding films available on the platform!
“Lu-se” (魯蛇, Taiwanese internet slang borrowed from the English word “loser”) seems to have become a dead word. You rarely hear anyone say it anymore, and I’m not sure why. I don’t think the term can be understood simply as the English “loser.” In the way it’s used in Taiwan, it seems to carry a touch of self-deprecating humor, and that’s a quality I really love. The films above are the ones that, to me, have that feeling.