2023
Golden Horse Awards
最佳新演員入圍
最佳新演員入圍
最佳攝影獎入圍
最佳新演員 葉曉霏
World Focus 單元
Harbour 單元
台灣獎入圍
感谢你的用心创作，期待更多好作品 🥰 作品超棒！加油 🤟
個人認為是臺灣近年來最具代表性的女同志愛情電影，無論是社會、校園、愛情的躁動，都詮釋得十分精彩
很喜歡這部電影中人物真實、複雜、糾結的感情。1994 年，大學美術系的罷課運動讓季微看見了外面更大的世界，也讓她第一次看清自己內心的渴望。《青春並不溫柔》用素描般的細膩筆觸，捕捉了理想與慾望衝突時的脆弱與決絕。對季微而言，青春不是柔軟的避風港，而是一場痛苦卻真實的革命——既是對體制的反抗，也是對自我的叩問。當她對魏青萌生出超越友情的感情，畫布上的顏料不再只是顏料，而是她從未說出口的慾望與掙扎。導演不浪漫化青春，而是坦白呈現它的尖銳與不確定：我們都曾被理想點燃，也曾被真實的情感燙傷，但也因此，才終於看見了真正的自己。
蘇奕瑄導演以細膩的筆觸描繪角色內心的掙扎與成長，並巧妙地將個人情感與社會運動交織在一起。片中多次出現雨的意象，象徵著抗爭中的不確定性與情感的波動。導演也強調，爭取自由與愛一個人之間有著相似的過程，都是對既有結構的挑戰與自我認同的追尋。
這是我在2023最喜歡的溫柔電影，畫面的色調用藍色為主軸，我認為這象徵這份愛就像在海裡沉浮不定，在那個年代，愛的隱諱，卻也是最濃烈的時候，p.s.好喜歡葉曉霏!!!!!!!!!
「新作的誕生意味著以當下的視角檢視過往台灣同志電影中的社運再現，以及藉由社運再現來訴說同志故事的敘事套路。《青春並不溫柔》的導演兼編劇蘇奕瑄就在訪問中表明，她要以『後同婚』和『不悲情』的『當代觀點』回應『九〇年代的女同志一片哀悽』。」 引用自： 陳穎【從《青春並不溫柔》說起，當代女同志觀點下的社運再現】 https://filmaholic.tw/films/66fcc87efd89780001281637/
從《青春並不溫柔》說起，當代女同志觀點下的社運再現 - 釀電影「據此，梁學思認為女學生並不是短暫的成長階段，而是建基於酷兒時間的身分認同。此處我們也可借助馬嘉蘭（Fran Martin）的研究，她爬梳華語文學及影視作品對校園女女戀的再現，指出這種敘事多由回憶構成，因而往往是短暫、沒有未來的悲劇，但她亦注意新一代的女性創作者如何在延續此敘事傳統的同時提出批判。」 引用自： 陳穎【從《青春並不溫柔》說起，當代女同志觀點下的社運再現】 https://filmaholic.tw/films/66fcc87efd89780001281637/
從《青春並不溫柔》說起，當代女同志觀點下的社運再現 - 釀電影第三屆「Bonjour la France, ici Taïwan」順利落幕！本次盛會由 mk2、台灣文策院主辦，並由 Giloo 協力策展，從台灣近五年各類型電影初選後，再依照法國市場潛力精選，最終片單涵括包含《老狐狸》、《金門》、《魍神之夜》等優質影像作品，展現了台灣獨特的創作能量，搭起台法文化交流的橋樑。現場放映更邀請到兩度入圍金馬獎最佳女配角的劉奕兒親臨出席《老狐狸》映後座談，《青春並不溫柔》導演蘇奕瑄也現身與觀眾分享創作心得。另外，今年更是首度攜手 Giloo 合作線上放映（點擊觀看完整片單），不僅巴黎觀眾可親臨現場欣賞台灣作品，全球影迷都能在線上共赴這場文化盛宴！
Taiwan has long since become the first country in Asia to legalize same-sex marriage, and LGBTQ+ lives seem to be increasingly woven into everyday life. Yet, when we turn our gaze to Asia’s mainstream media and cinema, where are the stories of lesbian women? The love left unspoken, the relationships that defy definition, and the intimacies that blur the line between friendship and romance—are they still hidden beyond the frame? And when lesbian women do appear on screen, how often are their stories truly told from their own perspectives? This time, through a collection of films, we summon those who have always been there, yet have rarely been seen. “I summon you by this name. Reveal yourself.”
No matter where you are, not just in Taiwan, international movie fans can easily watch too! The first wave of films from emerging creators are now live in our international section. Featuring top selections from prestigious film festivals like Golden Horse Awards and Golden Harvest Awards, as well as many highly anticipated emerging works for you to explore anytime, anywhere!
Wherever you are, in Taiwan or abroad, you can watch with ease! Discover acclaimed films from the Cannes, Venice, and Golden Horse film festivals, plus a lineup of highly anticipated works from emerging filmmakers waiting for you to explore. Start watching anytime — no borders, no limits.
What is the relationship between art and society? Is it possible for art to exist outside of society, as a kind of “pure land”? How does art reflect the evolution of an era—or even move ahead of its time to drive change? This has been the central question I’ve explored since I first began creating. From the great creators of East and West, to protestors striving for change, and finally to local actors taking action on the ground. “Living in this era, what dreams can we still hold on to?” In pragmatic despair, I pragmatically believe that both creation and action, like water, can flow into and fill the cracks that our times so urgently need.
The land carries memories. From afar, I often think of Hong Kong’s sea and Taiwan’s mountains. The days of my childhood—doing nothing, daydreaming in the warm summer breeze—remain vividly etched in my mind. Only after growing up, only after feeling lost, did I come to realize that beneath the soil lie many complex and thought-provoking stories: stories of colonialism and postcolonialism; stories of escape and homesickness. Through stories that flow between sea and sea, mountain and mountain, we hope to invite everyone, in the new year, to reflect across nations on the meaning of land and identity.
When the slogans fall silent and the crowds disperse, the events do not truly end. They remain in gravestones, letters, streets, and bodies, finding their voices again through the gaze of each new generation. Rather than closing the book on the past, these moving images ask: How do we remember those who were forced into oblivion? And in this unfinished present, how might we continue to imagine the possibility of living together?
Everything changes; the only constant is change itself. Young people who encounter life-altering upheavals face life and death, joy and sorrow. At life’s turning points, the choices they make reveal who these protagonists truly are. Within these stories, we may see reflections of ourselves—or find lives far removed from our own. Yet they always help us understand one another, allowing us, over ten to a few dozen minutes, to experience, grow, and comfort each other together. In a world of ever-shifting circumstances, perhaps cinema is a faithful companion that walks alongside us.