2024
Golden Harvest Awards
入圍最佳劇情片
Directed by 黃洛瑤
入圍最佳劇情片
台灣影評人協會推薦獎
王道女子力獎（觀眾票選獎）
好喜歡裡面每個演員的動作都非常細節，無論是主角每一次抽搐的狀態漸變，又或是同學之間的眼神，沒有台詞的，細微的動作傳達很多沒講出來同學間很深的情誼，這種藝術班的孩子肯定都是打從心底熱愛藝術的，但體制太多規則真的會好讓人在道路上懷疑和放棄啊。最喜歡最後的發瘋那場，有人在嘶吼，有人吶喊、大笑，情感多樣但所有人都開始的最自然的即興舞蹈，回歸做回最純粹跳舞的人。
《跳舞的人》是一部溫柔而安靜的電影，它不講華麗的舞蹈，而是用跳舞來說一個關於「勇敢做自己」的故事。主角不是天生會跳舞的人，他的舞步有點笨、有點慢，但卻真實、努力、也充滿情感。這部電影讓人看到，不是只有完美的人才可以站在舞台上，而是只要願意跨出一步，生活也可以跳起來。整體節奏不快，但很真誠，看完會覺得心裡暖暖的。
五分鐘前才看完，此刻的我仍坐在咖啡廳感受著顫抖的餘韻與未乾的淚痕。 我思考著影像與敘事的魅力，在此還有肢體與流動。那句「你以後不跳舞要幹嘛」是一句完全不需修飾或點綴而已經足以刺進心頭的台詞，所有熱愛著那些無法功成名就之事的人們或許都被問過這樣一句話吧。太美了，喜歡所有點到為止但以足夠的描述，舞蹈班的情境是再真實不過的，還有鈴鼓，以及永遠破損的鼓皮，自己往事的畫面與影像產生重疊，或許也產生某種程度的交織，是吧。最後那場舞前奏是緊張的，當不穩定開始產生，那像是舞曲中不和諧的琴鍵聲，然後一個兩個，譜成了她們自己的樂章，那是熱烈的、奔放的、無可取代的。然後在螢幕前的我眼淚即開始溢出，我想這是我不能控制的，如她一樣，我要繼續跳。
最後釋放被規訓、否定和壓抑的憤怒，很讓人動容。老師對每個個體的態度都讓我感到熟悉，那些話語被丟到群體裡、每個人都被迫稀釋和分享屈辱，特別是有意無意之間挑起的兩個女孩間的競爭感，似乎都是規訓者愛用的伎倆。這些羞辱明明該讓人憤怒，但在每個時代和領域都被視作理所應當，有了人類自己造的光環就可以侮辱其他人類。 片中女孩們的日常、休息的畫面都是這樣溫柔，最後一起表達的畫面又是這麼有衝擊力。人和人之間的連結可以暫時釋放讓人疑惑的憤怒？
一直讓我想到喬治亞電影《然後我們跳了舞》。跳芭蕾舞的挫敗，在最重要的登台時刻展現自己，放棄長久辛苦練習的規則。 如果我的第一堂舞蹈課是這種老師，我絕對不會買票去看舞蹈表演。鏡頭那樣晃好美。把台灣教育環境演的真好，提醒我：完全不想回到童年。 我覺得最高招的設計是：走離病態的環境很需要勇氣，但走回去這環境，更需要勇氣。把本片的意義又推上一層。
──《#跳舞的人》── 25:39 【表演】銳評《跳舞的人》高中生的表演？！其實是「剪輯」的問題？！ 37:11 以「抽蓄」為例，為何無法看到角色更多？！「細膩」、「討喜」才能成為「真的人」？！ 41:18 【角色】以《如下》為例，如何細膩角色？！「雞蛋」創造「當下的生活感」？！ 47:10 黃同學總評對《跳舞的人》表演之喜愛？！對比與《如下》結局之異同！？兩部皆令黃同學熱淚盈眶？！ https://www.youtube.com/watch?v=1BXcmrA1M8k
EP33 表演不只是真實自然，更是掌握鏡頭的技巧｜《如果時間在此刻停下》狗聊《跳舞的人》feat. 導演林劭慈【狗聊電影：狗賀穗片】原以為是走傳統勵志路線的故事，卻發現在劇情的編排以及肢體語言的傳遞中，藏入少女對於夢想的執著與不屈，搭配著釋放出的動作語言，讓人備受震撼
我覺得《跳舞的人》是一部充滿情感與力量的電影，透過舞蹈這樣的媒介，講述主人公在面對生活困境與情感衝突中的成長與掙扎。這部作品不僅展示了舞蹈的藝術之美，更深刻刻畫了人性中的脆弱與堅韌。主角在追尋自我與情感釋放的過程中，逐步突破內心的枷鎖，舞蹈成為了他與世界溝通的橋樑。黃洛瑤導演巧妙地將舞蹈與故事情感交織，讓整部影片既感人又具有藝術性。
很喜歡最後那段大家在舞台上肆意發洩那段，利用表演包裝吶喊著所有的委屈，情緒的鋪墊也做得很好。
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