1997
Golden Harvest Awards
優等短片
No matter where you are, not just in Taiwan, international movie fans can easily watch too! The first wave of films from emerging creators are now live in our international section. Featuring top selections from prestigious film festivals like Golden Horse Awards and Golden Harvest Awards, as well as many highly anticipated emerging works for you to explore anytime, anywhere!
Recently, in a novel I've come to love, I found myself grasping the weight of life's slices. In the story, there is a wicked sorcerer who freezes people in the instant just before tragedy strikes—suspending everything, sealing it into a crystal ball, and building an entire museum from these frozen moments. And isn't film, in its own way, just as cruel? As viewers, we are little more than instruments for collecting tissue slices—slipping into a character's world for a single fleeting moment, wandering through it in passing, only to return, in the blink of an eye, to the reality that is our own.
Wherever you are, in Taiwan or abroad, you can watch with ease! Discover acclaimed films from the Cannes, Venice, and Golden Horse film festivals, plus a lineup of highly anticipated works from emerging filmmakers waiting for you to explore. Start watching anytime — no borders, no limits.
Giloo presents award-winning festival favorites, buzzworthy films, and thought-provoking documentaries, bringing together diverse themes and compelling stories. Step into the Spotlight Screening selection and discover films that have captured attention, sparked discussion, and are well worth revisiting.
Director Wei Te-Sheng delicately portrays touching stories from Taiwan through a lens that weaves together human connection, dreams, and history. This online film showcase features "BIG," "Cape No. 7," "52Hz, I Love You," and "Before Dawn," guiding audiences through historical memory, youthful passion, and contemporary emotion, all while conveying the warmth and resilience unique to Taiwan. The film festival is co-curated by Storyage Pictures, founded by Wei Te-Sheng, which is dedicated to expressing the spirit of Taiwan through cinematic storytelling. The acclaimed KANO, also produced by Storyage Pictures, will also be screened as a special feature, inviting you to witness the birth of Taiwan’s baseball soul.
This title quotes Tarcy Su’s 1998 song “The Whole World in Chaos.” In this playlist, we encounter all kinds of collapse: so many cars, so many chases, so much longing that goes unanswered. But if we refuse to embrace chaos itself, how can we ever build our own inner order within it? Wishing everyone a joyful viewing experience, and good health in both body and mind.
The late 20th century is often regarded as one of the lowest points in Taiwanese cinema. Yet in 1999, a group of young filmmakers boldly shot independent films on 16mm and organized their own event—the “Pure 16 Film Festival.” These works entered the market with a spirit of creative independence, injecting much-needed vitality into a long-dormant film industry. In doing so, they opened up an alternative path beyond the mainstream, igniting new hope for the next generation of Taiwanese cinema. Recognizing the fragility of film stock, the Kaohsiung Film Archive undertook the digitization and restoration of independent films produced between 1997 and 2005. Through this effort, these past classics are now reintroduced in renewed form, allowing their historical and artistic value to shine once again.
In the ceaseless flow of human existence, we struggle in the space between reality and dreams. We have witnessed the beauty and grandeur of life, and confronted the absurdity and baseness of human nature. We water flowers on the beach, build dreams among the rubble. After crossing mountains and rivers, after witnessing the joys and sorrows, the encounters and partings of life, the journey eventually comes to an end. We lay down our burdens, let go of desire, love, and hatred, and release the thoughts and attachments born from them. In the end, we become free—unburdened souls, simply being.
