每回，我聽說拉丁美洲的小說，在台灣很難推廣給大眾時，我都會大吃一驚。曾有一個時期，我感覺到四周的氛圍，在在都表明了，最出人意表的文學，只會在拉美誕生——或許那種興奮之情是有點偏執與過頭了，通常我也只放在心裡，不說出來——然而，不管是否直接⋯⋯
倘若你是熱愛活字印刷或裝幀工藝的手作迷、戀書癖，抑或某種程度的紙本上癮者，想必亦能產生強烈共鳴地沉浸在這部以白描手法敘述日本當代書籍設計家菊地信義（1943- ）心路歷程的紀錄片——《裝幀人生》。
A reader once asked us, "So, what makes a good character interview in your opinion?"Our answer lies within this film selection.
The documentary seeks to use film as a medium to preserve and share the lives and legacies of prominent Chinese-language writers. Guided by each director’s unique cinematic language, these films transform literary masters into cinematic texts—introducing their voices to new generations of readers. The project goes beyond archival preservation. It aims to reveal how these authors and their works continue to move and inspire, carrying powerful resonance through the shifting tides of history—ultimately becoming a literary and cultural heritage for future generations.
"To me, only Lily Chou-Chou is real." Japanese auteur Shunji Iwai carved out some of the most unforgettable depictions of the pain and poetry of youth. His films delve not only into school days and adolescence, but also bullying, loss, and the end-of-century malaise. He portrays girls in corrupted cities, women with voices that heal, and parables of a world teetering on the edge. He launched the careers of singers Salyu and Chara, and captured Aoi Yuu in her most ethereal dance. With his singular visual style and impeccable taste in music, Iwai's works have captivated audiences across Asia for over two decades. Now streaming exclusively on Giloo: "All About Lily Chou-Chou", "Swallowtail Butterfly", and "Hana and Alice". Revisit the unforgettable world of Shunji Iwai.
紀錄片在兩座島上播映。在香港，大概不太可能有人問：為什麼是是劉以鬯？為什麼是西西？為什麼是也斯？要談多產也好，或者他們在文學中不斷探問、逼近、包圍出香港城香港人特殊的身世與時空感，特別是西西和劉以鬯對文學形式多年來驚人的實驗能量，跨媒材創作，研究他們的論文豐盛到幾乎可以稱為「劉以鬯學」、「西西學」⋯⋯