2018
Directed by 松本俊夫
1:40:47 伊迪帕斯王最後殺了母親和父親在一起，其實有趣的事情比較是伊迪帕斯王如何認知自己的性別呢？當兩性的框架不夠用？ 生活在現代已經是多元性別了，不管外顯或是內在，可以自由的選擇（如果自己想得開想清楚的話）。 我覺得導演也不知道是不是貪心還是什麼，参入了一些現實中的訪談，可能看起來有些離經叛道的事情需要有證據吧？ 用宿命來解釋人生裡的無解，再套上希臘悲劇。也不知道那一代的人這樣會不會好過點？
1:21:44 女子三人組嗆聲對戰其實有點荒謬；多少也是增加一些前面的片子了沒提到的部分，三位第三性其實人生不是那麼輕易的。 看起來很有經驗
56:02 我不知道這種縮時攝影的打鬥是不是可以減少撕扯上的不堪，小姐和媽媽桑其實都是扮裝出來的身份，這種打法不知道道算不算命也不要？ 當然也許逼真的打鬥對演員和導演負擔都太大⋯
41:42 所有的小眾總是聚在一起，什麼時代都差不多。 反正都是地下的事，所以就百無禁忌了。 有些看起來狂歡的場景其實無奈苦澀的。對習慣用另一種方式生活的人，我是說女裝的模式，不知道何者更放鬆？我是說有時候也許脫下來更顯壓力，得要真的有安全感才行。 這類場景好像在許多人年輕的時候都有，只是細節不一樣。 然後那些訪談，還有藥物的部分，似乎想釐清時代的迷惘？ 但是到今天還是不清不楚。
36:19 三位好友招搖過市的逛了百貨公司，這種畫面到今天也常見，不過很顯然的幾位演員的日常已經非常習慣了。 當然這幾位也很適合店裡的女裝。 男扮女裝在不同的時代，不同的地方都有不同的功用，這些人是選擇了讓這樣的裝扮成為人生的一部分。 當然也很確實的是，三位都站著上男廁。 其實這非常需要勇氣，我是說對自己身上各種性別特徵的坦誠。 我以前扮裝的時候實在不好意思站著上廁所的（是說不會在外面站著上），即便那是為了表演。
27:12 連做愛也不可以脫戒指，導演完全理解這些人想什麼（也許是當事人堅持的？） 這些虛實交錯的片段好像也就不知道去哪裡了？ 也許在拍的時候又做了修正，可是底片實在貴
7:32 面具拿來解釋主角們對於自身外觀的選擇和其他人一樣都源自需要，而選擇這樣的面具似乎更為真誠。 一張太引人注意的面具有許多附加的問題，只是自己的是自己的，由自己決定。
5:38 薔薇的葬禮我一直都聽過，也老早被劇透了，但是還好Giloo上有。 我朋友都跟我說主角看起來像我的好朋友扮裝天后松田丸子，其實確實是有點。 我覺得在這個時代性別實在也不得不重複異性戀框架，當然這就非常考驗先天條件了⋯ 我覺得主角身上那件PVC材質的外套幾乎是青春的宣告。 尤其是在稍晚看到媽媽桑都穿和服，是種對比。
9:20 我認為戴著假睫毛洗澡實在太蠢了,當然看到後來大概清楚導演是不想在這裡就破壞幻覺.
Some choose to change society through words. Some release pressure through acts of violence. Others exile themselves in sex. When values and beliefs collapse, what remains—ghosts or humans? In a world spiraling out of order, they descend into collective ecstasy and moral decay— yet also rise in fierce, unrelenting debate. They may be revolutionaries from Japan’s student movement era, a gay man reenacting the Oedipal tale of desire and patricide, or men and women consumed by the thrill of power and lust. But beneath these extremes of reason and emotion lies a common thread: a desperate, lucid critique of existence itself. Giloo presents six handpicked films from East Asia— each delving into a raw and radical human struggle on the edge of belief, where the urge to live collides with the desire to disappear.
Since its founding in 1998, the Taipei Film Festival has become one of Taiwan’s most prominent film events. In addition to the Taipei Film Awards, which honor outstanding local filmmakers, the festival also features spotlight programs, curated showcases, and an international competition for emerging directors—inviting audiences to discover new voices and revisit cinematic classics from around the world. Giloo presents a special selection of award-winning and officially screened titles from past editions of the Taipei Film Festival. Whether you’re revisiting a favorite or discovering something new, we invite you to enjoy the cinematic surprises this collection has to offer.
The pursuit of love is a fundamental human capacity. Turning life's disasters into something beautiful—that is the superpower born from the journey of love. In the suffocatingly homophobic atmosphere of the 1950s, The Price of Salt author Patricia Highsmith wrote the first lesbian novel with a happy ending, opening a window of hope and happiness for the LGBT community. She once said, “I have made up my mind to turn every disaster in my life into something beautiful.” The documentary Loving Highsmith opens in theaters on August 25. Inspired by her iconic words, MYSU Media has curated a diverse gender-themed film selection that invites audiences to engage with related stories. Through each journey in search of love, we resonate with the universal longing for beauty, connection, and the freedom to breathe.
【 CCC Comic Channel × Giloo Documentary “Frames of Autumn: A New Sensory Stroll through Manga” Series 】 On the strange, the obsessive, and love that doesn't ask to be understood. Perhaps it's this kind of inexplicable, unreciprocated passion, desire, and hatred that gives birth to ghost stories. As for "Tropical Fish(1995)," speaking of Asakusa, you definitely come up with Misemonogoya (Freak Show)! 📖 "Fruits of Passion" pays homage to the short comic "○": https://www.creative-comic.tw/zh/book/380/content