2020
Bass－阿威 當我們常見音樂裡的符徵與符旨，這兩個要素完全地對調的時後，呈現出來的會是什麼樣的景色？在最保守的年代用最真誠與暴力的方式去做藝術表述，思維模式的扭轉與震撼或許是觀影後會得到的回饋。
身為一個晚近聽團仔，時常聽樂團或是樂迷前輩「講古」，聊著已不復見的奇聞軼事，懷念邊緣破爛、卻也青春燦爛的過去，時常感嘆自己是不是太晚出生，來不及見證那些精彩刺激的傳說。 我們總是對於最原初的悸動念念不忘，認定它就是無與倫比的經典，誰都比不上，多數次文化圈圈好像都是這樣，在擴大的時候總會迎來核心精神與主流偏好之間的激辯，並一直往前走的時代當中不停變化，而在台灣的脈絡底下要談「龐克精神」，肯定不能不提「濁水溪公社」。 《爛頭殼》在這個年代重新出土，除了再次提醒人們反思、反抗、衝撞體制、動手開創的重要性之外，其實也讓我們看到，一個樂團走了十年，面對外在環境的變化，每個成員在理想與現實之間的考量與實踐都不同，其中一定少不了爭論和不滿，這是不因時代不同而有所差異的。 我們或許不會有下一個濁水溪，但專屬於我們的時代精神與記憶，始終掌握在我們自己的手裡。 By 赤編，Jun. 2022
根據導演陳德政的說法，當年他們用「紀錄片徵樂團」的傳單獲得濁水溪公社的注意，而在水晶唱片發行在即，大夥決定在《爛頭殼》正片後加幾段濁水溪公社歷年演出精華 當成附加收錄。然而本片的精華之一即是早期樂團用業餘的CAM拍攝的影像，例如柏利擔任鼓手時試圖以非傳統的鼓點節拍配合現場的即興行動劇及歷任團員（如夾子小應）分別不同的貢獻，觀者可藉由不同時期的影像看出他們風格上的轉變。
如果注意一下，可以發現黃大旺（又名黑狼那卡西）會不時的出現在影片場景的某個角落，時而在後台搭棚現身，時而在舞台上默默地擔任客串樂手，大旺的音樂同樣具有不按牌理出牌的性格，非常推薦有興趣者續看《台北抽搐》，會發現大旺以另一種的方式呈現了底層的另一種聲音。https://giloo.ist/video/130?episodeId=133
台北抽搐 - 正版電影線上看｜Giloo紀實影音左派天馬行空的想法加上小柯兩人胡搞瞎搞的臨時起意的「行動劇」造就了樂團本身最核心的骨幹，有論者認為鼓手Robert與貝斯手阿熾是兩條隱形的繩子緊緊維繫樂團的步調，而小柯與左派的合體則是破壞力強大的反建制。本片拍完後，在《爛頭殼》巡迴放映的最後一場活動，左派離開了，鼓手Robert和貝斯手阿熾去當兵，樂團呈現無政府狀態…及歷任團員的人事變動，益發讓本片顯得彌足珍貴。
在舞台上極盡可能的惡搞是樂團的招牌舞台表演，摔樂器已是常態，早期樂團亦曾在Spin表演時在舞台上丟排泄物。可一提的是最早在舞台上摔電吉他，在舞台上引火燃燒樂器的舉動要從美籍吉他手被稱為吉他之神的Jimi Hendrix開始。然而砸毀、燒毀樂器是搖滾樂最狂野的一面，但與後來的工業噪音又是截然不同的概念呈現。稱濁水溪公社其實是多重矛盾的結合體應是不為過。
這部影片拍攝之時恰是濁水溪公社發表《台客的復仇》與《臭死了》專輯期間，在片中小柯提到有關他對台客及台客搖滾的看法，甚至在凱達格蘭大道那場演出時，在舞台上拿出幾個台製藥品丟向觀眾，像是敏肝寧、鄭杏泰救肺散、明通治痛丹、友露安、鐵牛運功散等，就某個層次而言，他們無疑試圖為所謂的台俗文化做出一個代表性定義，然而從物質性的商品再次強化而來的印象，反而是更固化了所謂台客文化的刻版印象。四年後，從2005至2007年間，高舉「台客搖滾演唱會」的音樂大旗及口號達到了最高峰。
1:13:53 這邊訪談的粉絲其實是無政府的愛吹倫，現在擔任「島國未來主義」的貝斯手 & 團長，是台灣第一組以 Afrobeat 為概念的樂團，今年才剛剛入圍了第十二屆金音創作獎的「最佳爵士專輯」，附上整張專輯的 YouTube 連結，Chill 爆！
AIslanders 未來島民 〔Full Album〕1:35:16 網路上還有看到另外一版更完整的宣言：「我們永遠與同性戀者、吸毒者、變性者、精神分裂者、殘障者、智障者、發黴的麵包、有皮膚病的狗、挨媽媽打拿不到零用錢的小孩、工人、農人、窮人、64歲還看不到少年快報的老人、戀糞者、戀吻者等社會底層的弱勢站在同一處默默凝聚！」
不得不說，每次看完《爛頭殼》心裡不免激動。這部紀錄片在本文章發表的2021年已經滿20年，那時候毛致新、陳德政兩個導演在政大播映這部畢業製作，濁水溪公社團員除了左派以外都來了，連當年交大台文站LTK板的板主也到場。
濁水溪公社自1990年成立以來，一直是台灣地下樂圈中最受爭議的樂團，打開始就把「態度」擺在「音樂」前面，踐踏前人奉為規臬的「搖滾精神」，發表的宣言幾乎比歌詞還多，每場表演都以混亂收場。但諷刺的是，這支不把音樂瞧在眼底的樂團，卻是現在台灣玩團青年心目中最重要的團體之一。從今年1月19日舉辦的向濁水致敬演唱會就可以看出來，在台灣能夠被這種陣仗對待的搖滾樂手，除了紅螞蟻、薜岳之外，也只有濁水溪公社了。
No matter where you are, not just in Taiwan, international movie fans can easily watch too! The first wave of films from emerging creators are now live in our international section. Featuring top selections from prestigious film festivals like Golden Horse Awards and Golden Harvest Awards, as well as many highly anticipated emerging works for you to explore anytime, anywhere!
Music and sound may seem fleeting, yet they leave lasting impressions in the hearts of listeners—sometimes even becoming songs passed down through time. Beyond sensory pleasure, the act of creating sound often carries a message shaped by a specific social context. Whether it is to resist mediocrity or to resonate with the land of daily life, sound conveys cultural memory and helps bring individuals together.
From international politics and music to film industry professionals and cultural icons—this curated selection of biographical documentaries offers intimate, eye-level encounters with influential figures across diverse fields. Through the lens, we gain rare insights into their lesser-known sides, and follow them as they navigate cultural clashes, personal revelations, and shifting global contexts. Each film invites you to explore contemporary issues through the lived experiences of extraordinary individuals shaped by history.
Music and sound may seem fleeting—gone in an instant—yet they leave lasting impressions in the hearts of listeners, echoing across time. Sound-making is more than sensory pleasure; at its root, it often carries a message shaped by a specific social context. Whether to resist monotony or to resonate with the land of everyday life, it becomes a vessel of cultural memory and a force that gathers people—bringing individuals closer to one another through shared rhythms and meaning.
Music is more than melody and rhythm—it’s a moment in time, an infinite space where collective memories are stored. As we temporarily part ways with Megaport Festival, Giloo invites you to revisit the electrifying spirit of the stage. Return to the passion and protest of bands like Fire EX., LTK Commune, and Labor Exchange Band—homegrown voices that gave shape to grassroots dreams and rebel hearts, shaking up a Taiwan once dominated by mainstream music. So let’s set sail again—sing our dreams, our defiance, and everything in between. Raise a glass as the lights fade. Until we meet again.
Finding Stillness in Uncertain Times: 10 Curated Films from Our Resident Artists During the pandemic, we’ve found more quiet moments to truly appreciate the beauty of everyday life. Resident artists from the National Theater & Concert Hall have each handpicked a film that resonates deeply with them—inviting you to slow down and reflect during this period of working from home. ▍Huang Yu-Ching: “With limited movement, we are asked to listen more closely to the inner voice of our bodies. Want to watch two snails slowly form a connection? There’s no better time for something this soothing.” ▍Wang Chao-Chien: “The pandemic has made us all more aware of distance—the distance of time, the distance between becoming and performing a role, and the strange moments that define legendary bands. These films help us sit with those feelings and reflect.” ▍Chien Chieh: “They are storytellers, writers, dancers, filmmakers. Documentaries capture an era or linger on a single figure, guiding us closer to ourselves.”
Welcome to Giloo’s Free Streaming Zone! Enjoy instant access with no subscription required. From profound social documentaries to unique independent cinema, we curate premium films from around the globe. Across borders and genres, let great stories find you—for free.
Music is the voice of a generation’s thoughts. For the singers who give voice to stories, dreams and resistance are etched into every lyric. Independent bands have forged raw energy from hardship, using sharp, unrelenting melodies to challenge and disrupt the dominance of mainstream music in Taiwan. Giloo presents a selection of documentaries spotlighting the independent music scenes of Taiwan and China—tracing how underground bands rose from the margins to reach wider audiences, and how their songs gave voice to grassroots struggles, shaking the system with sound.