In 2022, we find ourselves constantly surrounded by art. The devotion, creativity, and craftsmanship poured into a single garment by a designer — that is wearable art. The serenity we feel when venturing into the mountains or stepping into a temple — that is reverence for nature, the most organic form of art. To the artist, art can be a precise calculation, a challenge to the limits, or a stirring portrayal of the masses and their stories. Art can even be a radical force for social change. Long before you ever “knew” art, it had already seeped into your everyday life. On this sleepless night, take to the familiar streets and experience the resonance created when art intervenes in the city.
Author2022 臺北白晝之夜 Ｘ胡忻儀（執行統籌）源自於法國巴黎的白晝之夜，即將在台北士林舉辦第7屆，以一夜限定、打開場域為核心精神，連結當代藝術與常民生活。這一夜，召喚民眾以士林為舞台，透過藝術，看見城市再生。歡迎來到「士林大戲院」Welcome to the Grand Shilin Theater.
Taiwan has long since become the first country in Asia to legalize same-sex marriage, and LGBTQ+ lives seem to be increasingly woven into everyday life. Yet, when we turn our gaze to Asia’s mainstream media and cinema, where are the stories of lesbian women? The love left unspoken, the relationships that defy definition, and the intimacies that blur the line between friendship and romance—are they still hidden beyond the frame? And when lesbian women do appear on screen, how often are their stories truly told from their own perspectives? This time, through a collection of films, we summon those who have always been there, yet have rarely been seen. “I summon you by this name. Reveal yourself.”
The Taiwan Film Festival of Boston is dedicated to showcasing Taiwan’s diverse cultures and social landscapes through cinema while fostering meaningful exchange between Taiwanese filmmakers and North American audiences. Since 2011, the New Taipei City Documentary Film Award has supported documentary filmmaking and encouraged creators to engage with their times, capturing lived experiences and social realities through the moving image. Together, the two organizations present this virtual film festival, featuring outstanding works from past editions of the Taiwan Film Festival of Boston and the New Taipei City Documentary Film Award. By bringing Taiwanese stories of ecology, culture, identity, and coming of age beyond geographical boundaries, this collaboration invites audiences around the world to discover Taiwan through the lens of documentary filmmaking and engage in cross-cultural dialogue. Through the power of documentary cinema, the festival seeks to foster greater cross-cultural understanding, celebrate the creativity and vitality of Taiwan’s documentary tradition, and strengthen connections between New Taipei City, Taiwanese filmmakers, and international film communities. New Taipei City Documentary Award Section Title | Habitats of Life Envisioning a Sustainable Future Where People and the Environment Thrive Together From oceans and forests to where Indigenous communities and cities meet, life seeks ways to survive, grow, and belong. Where the Bees Belong, Hearing from the Dolphin, The Elimination, A Tayal, and Childhood In Between explore ecological conservation, wildlife conditions, cultural heritage, and identity, revealing complex relationships between people, nature, and society. As habitats shift and generations change, each story shows how life responds to environmental and social challenges while seeking new possibilities for coexistence. Echoing the United Nations Sustainable Development Goals (SDGs), this program invites audiences to reconsider habitat not only as a physical place, but also as an ecological, cultural, and emotional home—and to imagine a more diverse, inclusive, and sustainable future. The online screenings held in collaboration with the New Taipei City Documentary Film Awards concluded successfully on October 11. Some films have been taken offline as scheduled. We invite you to continue enjoying the other outstanding films available on the platform!
“Lu-se” (魯蛇, Taiwanese internet slang borrowed from the English word “loser”) seems to have become a dead word. You rarely hear anyone say it anymore, and I’m not sure why. I don’t think the term can be understood simply as the English “loser.” In the way it’s used in Taiwan, it seems to carry a touch of self-deprecating humor, and that’s a quality I really love. The films above are the ones that, to me, have that feeling.